Resume

Special SkillS

Vocal: Southern, British (RP, London/ Cockney, Scottish (Highland Brogue, Edinburgh) and weird voices; basic Welsh pronunciation/ comprehension; Basic Japanese pronunciation/ comprehension.
Musical: Mezzo-Soprano (E3-E5); Basic Violin.
Movement: Viewpoints; Basic Suzuki; Basic unarmed stage combat and basic weapons (single sword and broadsword) stage combat (JP Scheidler); Basic gymnastics (cartwheel, roundoff, minor tumbling); 3 years swing dance (East Coast, Lindy Hop, Charleston); can follow most ballroom dances (all in heels); Rollerblading/ skating.
Artistic: Knitting, crochet; Intermediate sewing skills (hand and machine); Advanced painting/ life drawing skills; Theatrical make-up technique and application (2 years teaching).
Certifications/ licenses: Valid driver’s license (and vehicle); Certified Intimacy Captain (Intimacy Coordinators of Color)
Miscellaneous: owner of 5 year old border collie/lab mix stage dog (he’s been in one show and one movie thus far!).

Selected Acting Credits

SELECTED ACTING RESUME

ABBREVIATED CURRICULUM VITAE

Height: 5′-6″

Eyes: Grey

Hair: Brown, naturally wavy

Stage Roles

Valeria The Rover by Aphra Behn Mary Baldwin Uni.

Megan Jones Puffs by Matt Cox Silverline Theatre

Thaliard/ Ensemble Pericles by William Shakespeare Mary Baldwin Uni.

Lord Aster/ Ensemble Peter and the Starcatcher by Rick Elice Hollins University

Miss Preen/ Harriet Stanley The Man Who Came to Dinner by Kaufman/Hart Shawnee Summer Theatre

Feste, the Clown Twelfth Night by William Shakespeare Anderson University

Mary Mauritius by Theresa Rebeck Wisdom Tooth Theatre Project

Ursula Much Ado About Nothing by William Shakespeare Anderson University

Workshops, Radio, and Readings

Scholar 2/ Knight Doctor Faustus by Christopher Marlowe Mary Baldwin University

Neatfoot/ Tailor The Roaring Girl by Dekker & Middleton Treehouse Shakespeare

Patricia Sing It Out Loud by Marj O’Neill-Butler Women+ in Theatre Festival

Lau A Tragedy of Owls by John Mabey Dragon Eggs (Dragon Prod.)

Patricia Sing It Out Loud by Marj O’Neill-Butler Dragon Eggs (Dragon Prod.)

Sister Ahna The Shakers of Mt. Lebanon […] by Arlene Hutton Earlham College

Jo March Little Women (Radio Play) Richmond Radioworks

Rodi The Six-Fingered Woman by Sophie McIntosh KCACTF Region III

Selected Acting Credits

SELECTED ACTING RESUME

ABBREVIATED CV

Height: 5′-6″

Eyes: Grey

Hair: Brown, naturally wavy

Special SkillS

Vocal: Southern, British, Scottish (and weird voices); basic Welsh pronunciation/ comprehension; Basic Japanese pronunciation/ comprehension.
Musical: Mezzo-Soprano (E3-E5); Basic Violin.
Movement: Basic Viewpoints; Basic Suzuki; Basic unarmed stage combat, basic weapons stage combat (Michael Tucker); Basic gymnastics (cartwheel, roundoff, minor tumbling); 3 years swing dance (East Coast, Lindy Hop, Charleston); can follow most ballroom dances (all in heels); Rollerblading/ skating.
Artistic: Knitting, crochet; Intermediate sewing skills (hand and machine); Advanced painting/ life drawing skills; Theatrical make-up technique and application (2 years teaching).
Miscellaneous: Valid driver’s license and vehicle; owner of 5 year old border collie/lab mix stage dog (he’s been in one show and one movie thus far!).

Training

B.A. 2011

THEATRE & ENGLISH ☆ANDERSON UNIVERSITY

English

Appreciation of Drama, Modern Drama, Shakespeare

Theatre: Dual Concentrations in Acting/Directing and Design

Acting For Everyone (Spolin Improv), Acting Methods (Partner scene work and text work), Audition Workshop (monologue technique), Ensemble Acting, Acting/ Production Practicum, History, Theory, and Dramaturgy (I & II), Directing I, Directing II (directing a realized Production)

Other:

Musical Theatre Production, Dance Ensemble, Jazz Dance I, Ballet I, Private Voice Lessons

M.F.A. (EXPECTED 2024)

SHAKESPEARE & PERFORMANCE ☆MARY BALDWIN UNIVERSITY

Performance

Language of Performance, Shakespeare Acting Fundamentals, Performance of Language, The Body in Performance, Directing for the Early Modern Stage, Voice, Stage Combat Essentials, Directed Inquiry Writing a Solo Show, Directed Inquiry of Voice and Movement in conjunction with Acting, Shakespeare & Music, Topics in Directing (Viewpoints)

History/ Text/ Theory/ Rhetoric

Shakespeare, Research Methods, Shakespeare Pedagogy

Other

Private Violin Lessons

M.F.A. 2015

SCENIC DESIGN ☆UNIVERSITY OF MISSOURI – KANSAS CITY

Theatre: Design & Technology

Text Analysis, Theatre Collaboration (6 semesters), 19th Century Continental (American) Theatre, Acting II